"The Pit and the Pendulum"

"The Pit and the Pendulum" is a very well written suspense story. Personally I am not a fan of the ending, as I expected something more dramatic to happen, but I like how it is unexpected. Edgar Allan Poe's short story can definitely be classified as Dark Romanticism. The poem has supernatural happenings, which is a characteristic of Dark Romanticism writing ("What is"). The narrator is imprisoned in Toledo by the Spanish Inquisition and sees angels and judges that morph from candles and sounds (Poe 263-264). The supernatural visions that the narrator (he needs a name, the reader becomes very invested in the emotions and thoughts of this man, but lack the personal connection of a name) envisions follow the Dark Romanticism model. In this short story the narrator vividly imagines how he will die in the prison. He goes through many different types of death including buried alive, falling into a deep pit, being burned alive in an autos-da-fé ceremony, or later being chopped up (Poe 263-266). The unnamed narrator builds up the suspense of the story by vividly describing the scenarios. The great detail of the scenarios is another characteristic of Dark Romanticism. The constant loom of death also is a classic Dark Romanticism trait ("What is"). The narrator is consumed with different ways the Inquisition can kill him, and by the end of the story, ways that he can thwart their plans. The weirdly, very uncharacteristic, Poe short story ending is happy, unexpected, but happy. The unnamed narrator is saved by General Lasalle, the "enemy of the Inquisition", who pulls him away from the deep pit as the narrator was about to fall in (Poe 273). Hats off to General Lasalle for having amazing timing entering this particular dungeon with a man about to fall to his death, saving him in the nick of time. That takes some skill. But as this is a work of fiction, I know there is a high probability that General Lasalle did not grab a falling man over a pit of death. The happy ending is a Romanticism writing quality that is rarely used by the master of horror stories, Edgar Allan Poe ("What is").

Psychologically, the unnamed narrator is in a hallucination state where he does not know what is real and what is not (Poe 263-267). That psychological state is an unstable one, which explains why the narrator keeps having mirage like visions and is sometimes unable to distinguish what actually happening (Sova). "Days passed - it might have been that many days passed" when the pendulum was swinging above the unnamed prisoner narrator (Poe 269). He also had a "full memory of the trial, of the judges, of the sable draperies, of the sentence, of the sickness, of the swoon" after he 'saw' judges and angels in the shadow of imaginary candles (Poe 265). Then the next thought that the narrator has is "then entire forgetfulness of all that followed; ... have enabled me vaguely to recall" (Poe 265). The unnamed narrator can't differentiate between reality and the nightmare that he could possibly be having. The fear of being in the Toledo prison could have triggered some sort of subconscious response that the narrator used by creating false realities and to not be able to tell what is real (Sova). Poe did a good job portraying the narrator in a suspenseful way that has the reader guessing if what the narrator claims as true is truly what happened.


Poe, Edgar Allan. "The Pit and the Pendulum." Comp. Jeffrey D. Wilhelm, Ph.D. and Douglas Fisher, Ph.D. Glencoe Literature. American Literature ed. Columbus: McGraw-Hill Companies, 2009. 263-273. Print.

Sova, Dawn B. "'The Pit and the Pendulum'." Critical Companion to Edgar Allan Poe: A Literary Reference to His Life and Work, Critical Companion. New York: Facts On File, Inc., 2007. Bloom's Literary Reference Online. Facts On File, Inc. Web. 19 Jan. 2012.

"What Is Dark Romanticism?" Obscure Wonders. 18 Aug. 2008. Web. 19 Jan. 2012.